February 20th, 2013

By Shawn Pasternak
PCM '14

This past Wednesday night, NPR National Political Correspondent, Fox News contributor and, most importantly, Distinguished Fellow of Media and Public Affairs Mara Liasson was a special guest in my Contemporary Political Rhetoric class for a post-State of the Union discussion. Liasson was a particularly interesting guest for the occasion because her pre-State of the Union predictions for the NPR program All Things Considered had been extremely accurate, which made her reasoned analysis of the speech all the more interesting to consider.

Liasson in Rhetoric Class

Liasson spoke to a class taught by Peter Loge.

Analogizing the State of the Union as the "lyrics" to the "music" of the Inaugural Address, Liasson praised President Obama's speech as "a very good piece of political rhetoric," while explaining two variables that made it unusual: The cornerstones of President Obama's legislative agenda – gun control and immigration – were already being addressed by Congress before he was even inaugurated. Meanwhile, the speech took place against the backdrop of the sequester deadline. As a result, even though the president does not have to worry about re-election anymore and has this "incredible platform" to lay out his agenda, his address couldn't "do anything to change the balance of power." This could be seen, Liasson pointed out, in the speech's emotional final section on gun control. While calling it the "most rhetorically powerful" part of the speech, she observed that his refrain – "They deserve a vote" – was an acceptance of the reality of divided government.

I got to ask Liasson about that; more specifically, what's supposed to happen to proposals like raising the minimum wage and universal pre-school when any piece of legislation requires approval by the Republican House. Liasson offered a practical response, saying, "It's instructive to have it brought up in the Senate or the House and have it voted on so people are on record. Dick Durbin worked for 12 years on the DREAM Act; these things have to start somewhere."

When asked about Sen. Marco Rubio's much-anticipated response, Liasson carefully put his speech in perspective, pointing out that because it was filmed before the State of the Union (a "prebuttal"), there was a natural limit to the amount of substance he could introduce. Instead, his "primary mission" was to introduce himself as a new face for his party, which he did through the use of biographical details in his speech, "not unlike Barack Obama," she concluded.

Unlike the cable news channels, we mostly avoided discussing Sen. Rubio's memorable mid-speech water grab. On a broader note, though, Liasson was asked about the State of the Union's social media presence and what it signifies. Acknowledging that while it has allowed politicians to more easily organize and communicate with their base over the past few years, "what we don't know yet," Liasson said, "is if this will translate into pressure on Congress to pass legislation," a possible – but not inevitable – extension of its influence.

The opportunity to hear an experienced political observer like Mara Liasson, whom I'm typically used to seeing as one of four panelists sharing airtime on Fox News Sunday, talk at length about one of a President's most important speeches – and from a variety of nuanced perspectives – is so rare that I'm beginning to think you can find it only at GW.


April 6th, 2011

 By Nicholas Rice
 PCM '14

SMPA students had the opportunity to speak with legendary TV writers Rob Sternin and Prudence Fraser on Monday, March 28, in Professor Patricia Phalen’s "Hollywood and Politics" class.

Class Speakers

Class speakers (L to R) Prudence Fraser and Rob Sternin talk with Prof. Patricia Phalen

Sternin and Fraser’s influence on the television sitcom is extensive, including a filmography with such hit series as The Nanny and Who’s The Boss?, as well as namesake characters on Cheers and Frasier. Sternin began by retelling the story of meeting Fraser in a college acting class, with Fraser lightheartedly interjecting her opinions. They continued on to tell students about their early days trying to “make it” in Hollywood. Fraser advised aspiring writers to “be in the town. Meet people, network, and when you get that door open, be ready with a script. The door isn’t always going to be open.”

The writers then began to address questions ranging from dealing with rejection (Sternin says, “go to Hawaii!”), to the politics of the writers room and the studio. “You do have to negotiate a lot of politics in network TV,” said Fraser. Sternin added “there is a lot of juggling egos.”

Addressing the numerous students asking about pursuing their writing careers, Fraser encouraged, “if you really want to do this, go for it. Write a lot, show your work to people, and listen to what they have to say. You don’t necessarily have to do what they say, but listen...and rewrite.”

Fraser and Sternin provided invaluable advice to aspiring writers, a rare insiders view of TV production, and a fascinating, humorous, and true story of a married couple making it big together in Hollywood.


April 6th, 2011

Ivanka Farrell
Political Science '14

Since the summer before my first semester at George Washington University, I wanted to take a Dean’s Seminar offered by the School of Media and Public Affairs entitled “Hollywood Class Speakersand Politics.” Unfortunately the class filled up before I could register for it; therefore I was determined to get into it in the spring semester. Luckily I did and boy, am I happy about that. Last week, Professor Patricia Phalen invited Prudence Fraser and Rob Sternin, co- creators/writers of the hit television show The Nanny, to speak to my class. They talked not only about the show, but also about the politics of the entertainment industry.

Fraser and Sternin met at Tufts University, where they completed their undergraduate studies. They married and moved to Los Angeles to break into showbusiness – a task that was (and still is) a difficult one. When speaking to my class, they both stressed the importance of networking when trying to break into the industry and, as writers, the importance of continually practicing one’s craft.

First, the couple worked for a studio where they did character analysis work. Sternin’s job was to deliver the analyses to studios, and one day as he was delivering them he saw the creators of the television show Alice on the lot. With networking in mind, he made it a point to “accidently” run into them. One thing led to another and Sternin set up a meeting with them, which led to selling multiple scripts that he and Fraser wrote for the show. Read the rest of this entry »