Department of English

Latest happenings in the GWU English Department


March 1st, 2010

Would you like to learn more about the early modern period and to do research in one of the world’s best collections of sixteenth- and seventeenth-century books? The Folger-GW Undergraduate Seminar on “Books and Early Modern Culture” is a rare opportunity to study at the Folger Shakespeare Library with experts in the field of book history and with texts that are unavailable anywhere else.

Please come to an information session on the Folger-GW Undergraduate Seminar to learn more about the seminar and how you can be part of it. Speakers will include Sarah Werner, Director of the Undergraduate Program, and four students who took the seminar in the fall: Elizabeth Dent (French and Art History), Emma Martin (English and Classics), Sean Mooney (English), and Tim Pickert (History). You’ll learn about the course, the workload, the subject, and the application requirements, as well as be able to ask questions.

Wednesday, March 10th, 4:30 to 5:30, Rome 771

Please join us for all or part of the session.

Applications for the Fall 2010 seminar are due March 31st; more information about the program and the application process can be found by visiting www.folger.edu/undergraduates or by contacting Dr Werner at swerner@folger.edu. You can also learn more about early modern books and book history at wynkendeworde.blogspot.com. Or by clicking here to see the flyer.


February 17th, 2009

by Tess Malone
Hatchet Reporter

Senior Liz Bettinger never knew that a chance course she applied for after its deadline would turn into her thesis.

This past semester, Bettinger and a handful of other girls woke up early and took the Metro to Capitol Hill every Friday morning so that they could experience, as Bettinger puts it, the “once in a lifetime opportunity” of studying at the Folger Shakespeare Library.

The Folger holds the world’s largest collection of Shakespearean and Renaissance books, manuscripts and art. Students in the seminar had full access to the Folger, which has a partnership with GW. The students used antique books and manuscripts, many of which were handwritten, as primary sources for their research projects. Some students, such as Bettinger, continue to visit the library this semester, taking advantage of their extended six-month membership.

The program is a highly competitive senior seminar with its own special application process. This fall marked its second term.

The partnership between the Folger and GW began after professor Gail Kern Paster, a famous Shakespeare expert, left GW several years ago to work at the Folger. Many members of the English faculty use the Folger collections to conduct research.

For faculty, “it’s usually a place go to once a week, or spend a summer there. Professor Jonathan Gil Harris is spending an entire year there,” said Jeffrey Cohen, chair of the English department. “We wanted to make sure we could share this with the students.”

Harris introduced senior Christina Katopodis to the seminar. Katopodis said her time at the Folger turned out to be one of her most fulfilling experiences as an English major.

“To work with books that old means that they were special in history because they had survived. It indicates they were valued,” she said.

With the help of Folger scholar Sarah Werner, Katopodis worked specifically with a 1605 book by Thomas Haywood, a famous Elizabethan writer and actor. “If You Know Not Me You Know Not Nobody” was written on vellum – a type of paper made of animal skin – and Katopodis discovered more than just archaic spellings. She also found “little hairs mixed in.”

Bettinger, a history major, had more ambiguities with her book on Richard III, whose title is too long to say, let alone print.

“It was a mysterious little book with no author. My project was on how the book came to be,” Bettinger said.

But as she sat and studied for four months in the Elizabethan style reading room, she realized the project could turn into her senior thesis, which analyzes the literary character of Richard III.

To finish work on her thesis, Bettinger plans on going back to the Folger to do more research later this semester.

“I was touching a piece of history,” she said.

The English department plans on making the program permanent, said Jeffrey Cohen, chair of the English department. The only obstacle is the cost, he said.

“The problem is it’s an extensive course to run. Hopefully we will find a donor, but it’s worth every penny,” Cohen said.

Katopodis said the program has made her respect books more and that when she goes into a bookstore, she is more inclined to “subconsciously think about how books are made.”

Media Credit: Chris Gregory/Hatchet photographer


January 24th, 2009

If you are a sophomore or junior at GW, you should be. Information and an application form can be found here. An excellent magazine piece with video can be found here.

The deadline is March 20 (during spring break, as it turns out) — but it is not too early to start on the application and start your planning for Fall 2009.


November 18th, 2008

Check this out. Don’t miss the streaming video, with its Renaissance-y soundtrack. It’s quite excellent.

An excerpt from the article:

During weekly, three-hour classes, students study with a Folger scholar to learn how early books were made, the role they played in shaping culture, and how the medium of print and its reproduction shape a text’s meaning. Part of the course focuses on properly handling the fragile books; unlike other undergraduate book history classes that must use photos or digital reproductions, this course allows GW students to get up-close and personal with texts. They can touch the holes left by bookworms, finger the leaves of faded paper, and study the fonts and illustrations that make the books unique. The seminar, say students and professors alike, is an unparalleled opportunity for scholarship and discovery.

“It’s really one of a kind. There is no other university in the United States or anywhere in the world that can offer this because no other university has that connection to the Folger,” says professor Jeffrey Cohen, chairman of GW’s English department and the seminar’s University coordinator. “We want the students to be challenged, we want them to grow, and we want them to appreciate that they have something very few people have the chance to experience.”

Outside of the organized class, the students have readership rights at the Folger for the full academic year. With their own library cards, they can access the vast collection of more than 256,000 books, 60,000 manuscripts, and 250,000 playbills at the building on Capitol Hill. For some, such as Rohrbach and seniors Chris Pugh and Phil Getz, the privilege allowed them to pursue original research, which they presented to Folger staff and GW’s Board of Trustees last spring.

GW and the Folger have had a long, thriving relationship. The University was a charter member in the library’s advanced study center, the Folger Institute, when it started in 1970, and GW today is one of more than 40 colleges and universities in the world involved in the consortium. For the past decade, the University also has helped finance the Folger publication and scholarly journal Shakespeare Quarterly. Many of the University’s professors have tapped into the library’s wealth of materials while creating connections: Gail Kern Paster, an English professor at GW for nearly 30 years, became the Folger Shakespeare Library’s director in 2002.


November 7th, 2008

From the latest edition of Research & Discovery:

In an extraordinary seminar that started last fall, The George Washington University and the Folger Shakespeare Library, one of the world’s premier independent research institutions, are offering a book history course exclusively for GW undergraduates. The semester-long class is an unprecedented opportunity for senior humanities majors interested in early modern or medieval studies to work with the library’s centuries-old texts—a right normally reserved only for graduate or post-doctoral researchers.

During weekly, three-hour classes, students study with a Folger scholar to learn how early books were made, the role they played in shaping culture, and how the medium of print and its reproduction shape a text’s meaning. Part of the course focuses on properly handling the fragile books; unlike other undergraduate book history classes that must use photos or digital reproductions, this course allows GW students to get up-close and personal with texts. They can touch the holes left by bookworms, finger the leaves of faded paper, and study the fonts and illustrations that make the books unique. The seminar, say students and professors alike, is an unparalleled opportunity for scholarship and discovery.

“It’s really one of a kind. There is no other university in the United States or anywhere in the world that can offer this because no other university has that connection to the Folger,” says professor Jeffrey Cohen, chairman of GW’s English department and the seminar’s University coordinator. “We want the students to be challenged, we want them to grow, and we want them to appreciate that they have something very few people have the chance to experience.”

Outside of the organized class, the students have readership rights at the Folger for the full academic year. With their own library cards, they can access the vast collection of more than 256,000 books, 60,000 manuscripts, and 250,000 playbills at the building on Capitol Hill. For some, such as Rohrbach and seniors Chris Pugh and Phil Getz, the privilege allowed them to pursue original research, which they presented to Folger staff and GW’s Board of Trustees last spring.

GW and the Folger have had a long, thriving relationship. The University was a charter member in the library’s advanced study center, the Folger Institute, when it started in 1970, and GW today is one of more than 40 colleges and universities in the world involved in the consortium. For the past decade, the University also has helped finance the Folger publication and scholarly journal Shakespeare Quarterly. Many of the University’s professors have tapped into the library’s wealth of materials while creating connections: Gail Kern Paster, an English professor at GW for nearly 30 years, became the Folger Shakespeare Library’s director in 2002.

To help celebrate the Folger’s 75th anniversary in fall 2007, Dr. Paster says library staff wanted to focus on more educational outreach. The Folger had programs for elementary, middle, and high school students, teachers, and graduate researchers—but nothing for undergraduate college students.

“We could see what was obviously missing,” she says. Dr. Paster turned to the university and the students she knew best. She coordinated the seminar with then-Columbian College of Arts and Sciences Dean William Frawley and today continues to work with Dean PegLink Barratt. GW and the Folger have agreed to continue funding the seminar through 2013. Dr. Paster, who taught Shakespeare and the history of drama at GW, says the course’s emphasis on original texts has made it particularly meaningful to students of an online era.

“I think it’s a greater challenge in the humanities to introduce students to the excitement of archival research,” Dr. Paster says. But the seminar “has fostered love of the book as a historical object. That’s part and parcel of our mission as a library, especially in the technology age.”

Read the article in its entirety here.


June 24th, 2008

Check out the new blog by Sarah Werner, Wynken de Worde.

The undergraduate program director at the Folger Shakespeare Library, Dr. Werner teaches our Folger Undergraduate Research Seminar. Her blog is well worth bookmarking or adding to your RSS feed.


June 23rd, 2008


To all current and prospective English majors: you too can live the glamorous life of the archival researcher at the Folger. Follow this link to learn a bit more about our GW-Folger Undergraduate Research Seminar, which will be accepting applications in spring 2009.

Can you spot which of these dapper persons in the photo at left (taken in the Folger’s beautiful reading room) is the department chair?


April 9th, 2008

Three students from this year’s Folger-GW seminar will be giving presentations on their research. The event is open to everyone, including folks who are not readers at the Library. Please pass the invitation on to others! Sarah.

Please come to a presentation by students from the

Folger-GW Undergraduate Research Seminar

Philip Getz on Maimonides’s Canones Poenitentiae

Chris Pugh on The Faerie Queene

Marissa Rohrbach on Catherine de Medici

Friday, May 2, 2008

11:30-12:45

Board Room, Folger Shakespeare Library

201 East Capitol Street, SE

The colloquium is free and open to the public.

Attendees are welcome to bring their bag lunches to the presentation.

Coffee, tea, and cookies will be provided.

send questions to Sarah Werner, Undergraduate Program Director

(202) 608-1703 or swerner@folger.edu

www.folger.edu/undergraduates


February 28th, 2008

Don’t miss your chance to study the history of the book at the Folger.

Applications due March 10. More information here.


February 8th, 2008

This past fall saw the inaugural class of the Folger-GW Undergraduate Research Seminar. Focused on “Books and Early Modern Culture,” the seminar is the first offering of the new Undergraduate Program at the Folger Shakespeare Library. The seminar was developed with the support of the Dean’s office of the Columbian College of Arts and Sciences at The George Washington University, with the purpose of offering to exceptional undergraduate humanities students the opportunity to conduct advanced-level independent research. Eight students successfully applied for admission to the seminar, all seniors and coming from majors in English, History, French, and Music. The course introduced students to the roles that printed books played in Renaissance society; it also allowed students to become Readers at the Folger, a privilege that is usually extended only to Ph.D. students and faculty.

I had the great pleasure of teaching the course this fall. One of the rewards of this work has been the opportunity to discover items in the Folger’s substantial collection. Because my research usually focuses on modern productions of Shakespeare, I rarely need to look at early modern books. But my first loves were Milton’s Paradise Lost and Philip Sidney’s and Mary Wroth’s sonnet sequences, so to have an excuse to go back into the archives was delightful.
Part of the thrill of rare books is seeing traces of their readers. We are lucky that when the Folgers were building their collection, they valued marked-up copies of books. Many collectors of their era preferred books to be “clean” rather than “dirty” (what a way to refer to readers’ marginalia!), and collectors would not only try to buy books that had not been written in, but they would even bleach and trim pages so as to rid them of readers’ marks. William Lily’s A short introduction of grammar was the standard Latin textbook in the period, and this copy bears witness to the many students who used it not only to learn Latin, but to practice writing their alphabet. You can see one owner’s inscription just above the woodcut on the titlepage: “Jhone Scott with my hand at the pene.”

Other books are more carefully inscribed, one owner’s name after another, often tracing its descent through a single family. This copy of a 1550 printing of The workes of Geffray Chaucer bears inscriptions of a number of former owners, including Frances Wolfrestron, a seventeenth-century book collector who often marked her books. This one is signed, “Frances Wolfresston her bouk given her by her motherilaw mary wolfreston.” When Frances Wolfreston died in 1677, she willed her collection to her son; our copy has three other signatures from the Wolfreston family, and the Folger has other books from her collection as well. Wolfreston might be the most notable collector’s signature in this book, but its other owners took equal care in inscribing their names. The second image on the right shows verses signed by Dorothy Egerton and the inscription of one of her descendents, Anne Vernon.

But perhaps my favorite recent discovery from our rare materials collection is a beautiful 1928 edition of Hamlet by Cranach Press. It’s a wonderful example of the book arts movement, with type and woodcuts made specifically for this printing. The book prints a German translation of Shakespeare’s play, surrounded by excerpts from source materials of the Hamlet story from Belleforest and Saxo Grammaticus and incorporating woodcuts by Edward Gordon Craig. The play is not simply illustrated, however. The woodcuts and the page layout work together to tell the story of the play. The opening pages show beautifully this interplay, with the guards leaning up against the “W” from the play’s opening lines, “Wer da?” The most striking moment comes at the report of Ophelia’s death, which is illustrated by a rectangle of pale blue with an isolated figure standing within it. It’s the only place in the book where the color blue is used, and when you turn the page and see the image, the sadness and isolation of her death hits home. It is an astoundingly moving example of how typography, color, and illustration—the mise-en-page—can affect a reader more profoundly than words alone.

– Sarah Werner, Folger Shakespeare Library (swerner@folger.edu)



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