Department of English

Latest happenings in the GWU English Department


March 12th, 2010

Spring break has officially started (although some of you left yesterday, I’m jealous). Just because you plan on taking a week off from Geoffrey Chaucer and James Joyce, doesn’t mean you should stop reading. It’s time for “pleasure reading”! Maybe those words seem foreign to over caffeinated English majors who pound out more papers than they read pages, but now it’s time to reacquaint yourself with the reason you became an English major in the first place. To inspire your beach reading, here is what your favorite professors are reading over break!

Your chair Gayle Wald wrote:

“My sense of what is “fun” reading changes depending on what’s going on in my life. Sometimes I gobble up old copies of the Nation, the New Yorker and the New York Review of Books. (I like that I can read an article and be done.) Sometimes I read trashy magazines: People is a favorite; any fashion mag with big photos will do. The books I read for fun are usually contemporary fiction/non-fiction. Recent books I’ve enjoyed: “Half of a Yellow Sun” by Chimamanda Ngozi Adichie, “My Father’s Paradise” by Ariel Sabar, “Sag Harber” by Colson Whitehead. My current “to-read” list include Berryl Satter’s “Family Matters.” This is work-related–it is about mid-20th-century struggles over housing discrimination in Chicago, as told through the author’s family history–but it’s on my list because I’ve heard it’s excellent and because I’m just interested.”

Kavita Daiya recommends Elizabeth Gilbert’s Eat, Pray, Love and is planning on reading Gilbert’s follow up, Committed. She also enjoyed The Bitch in the House edited by Cathi Hanauer
Read more→


March 9th, 2010

You may have seen Gina Welch running around the English Department offices in a pair of green heels. Or perhaps you caught her segment on MSNBC’s Morning Joe last Thursday discussing her new book In the Land of Believers. Maybe you saw her book featured when flipping through the current issue of Oprah’s magazine “O.” Or you just happen to be one of the lucky students taking a creative writing course of hers. Gina Welch is everywhere lately.

Interestingly enough, the woman whose book is now on prominent display at any bookstore was too intimidated by the English department as an undergraduate at Yale that she avoided the subject almost entirely. “I felt more comfortable with a history major because it is about receiving information not interpreting it like English,” she said. Welch now recognizes that her misconceptions about the English department were purely insecure. She said, “I feel like at that age I personally was so bound up in my own insecurities and my social anxieties. My priorities had not settled yet and I didn’t know who I was.”

Despite this lack of confidence, Welch took two creative writing courses as an undergraduate and completely fell in love with the subject. Her first foray into creative writing took place in a Yale seminar taught by Mark O’Donnell, a writer for “The Simpsons.” ” I was delighted with it. It refreshed this feeling I had as an adolescent in writing and telling stories,” she said. Although Welch is naturally drawn to entertaining, it was not until her second creative writing course that she really felt like she could turn this passion into a vocation. Welch’s advanced fiction course at Yale felt like an “invitation” into the writing world. She said, “I had always had this perception you were chosen for writing, which is foolish. There’s a lot of hubris you have to have to be a writer, the ‘I have a voice that needs to be heard’ idea.” Read more→


March 2nd, 2010

When you talk to most professors in the English department they profess that reading became an obsessive hobby from an early age. However Ramola D could not stop at reading books, she had to write them too. “I couldn’t read for long without itching to put the book down and write my own stories and poems,” she said. However, throughout much of her life in India she could not pursue this interest directly and instead found reading and writing a hobby. “Reading was always an impassioned experience, it kept me going through my degrees in science and business—libraries were my escape route to freedom and the other worlds in books,” she said. ” I remember all the hidden-away armchairs, open windows, drawn blinds, scratched-up desks, dim lighting, slants of sun and musty stacks in libraries I have loved–reading helped situate me mentally as a writer.”

Ramola found herself informed in some way by every author she ever read. She said, “I’ve learned syntactic effect from Hemingway, the power of voice and image from Joyce, fluidity in narrative from Scott Fitzgerald.” Today she cites the works of Marguerite Duras, Gabriel Garcia Marquez, William Faulkner, Janet Frame, Franz Kafka, Virginia Woolf, Sandra Cisneros, Toni Morrison, Kate Braverman, and Carole Maso as particularly illuminating.

Ramola’s recent interests have coincided directly with the creative writing courses she teaches. As a writer of fiction reflecting on “the bicultural aspects of immigration” and “historical characters within a colonial setting battling a pervasive imperialism,” she is currently in dialogue with authors who discuss the same topics. She said, “I’ve been drawn to exploring strongly-voiced narratives of difference, from characters who experience dislocation of sorts, often by way of migration or by way of being in a statistical minority in a given cultural setting, I am drawn to the work of writers tackling these issues.” Ramola has been interviewing Lan Samantha Chang, Junot Diaz, and Sandra Cisneros. She has brought these transcripts to class and gained thought provoking discussion from it. Read more→


March 2nd, 2010


What are you doing this summer? Avoid the boring internship or ice cream parlor job and travel to Italy for a poetry workshop instead! Professor Jane Shore will be teaching a poetry workshop this summer at Amalfi Coast Music and Arts Festival. The workshop runs from July 18-25 in Vietri sul Mare, Italy! You can learn more here and register here.


February 27th, 2010
Jane Austen seminar

Jane Austen seminar

Zabrina McIntyre of the Smithsonian Associates would like everyone to know about a special program featuring professor Tara Wallace:

Jane Austen: The Author, Her Legacy and…Sea Monsters? This program will be on Tuesday, March 9 from 6:45 pm to 8:45 pm. It will feature three authors, Seth Grahame-Smith, New York Times best-selling author of Pride and Prejudice and Zombies; Ben H. Winters, New York Times best-selling author of Sense and Sensibility and Sea Monsters; and Regina Jeffers, author of Vampire Darcy’s Desire and Darcy’s Passions as they talk about Austen the author and why her works have endured and inspired through the years.

The following link provides additional information about the program.

I’d like to offer a special $15 student rate for anyone who is interested.

1. They may call our registration line at 202-633-3030 and mention this special promotion.

2. They may purchase tickets through our website.

When they log-in or register, there will be place to input the promo code 182292.


February 27th, 2010
070920-howard-jacobson

Howard Jacobson, Jewish Literature Live

After a week of being trapped in his hotel room, Howard Jacobson has spoken to more English classes and student groups than he can remember. Tonight he will make a appearance at Hillel and yesterday he finally visited Jewish Literature Live. So surprisingly, the author of Kalooki Nights (probably the most Jewish book I have ever read) and the British Jew, does not like being called a “Jewish” writer. “If I am called a Jewish writer I hit the roof. I am an English writer, but I did not have to choose this subject [Judaism],” he said. “There is no reason why a Jew who writes should be a Jewish writer. I regret marketing myself as a Jewish writer and calling myself a Jewish writer, it limits one.” Plain and simply, Jacobson proclaims himself an “English writer with a Jewish accent.” And there you have it, within the first fifteen minutes of the hour Jacobson was already stirring up controversy and setting our minds on rapid fire. Read more→


February 3rd, 2010


English is said to overlap with many other disciplines: American studies, theater, linguistics, and more. But how about psychology? Maybe this would not be your first connection, and even Marshall Alcorn is not the first to claim that the two subjects go together. Our Director of the English Undergraduate Studies, Director of Human Sciences, and popular critical methods professor is also a psychoanalyst. He notes that reconciling the two fields is “challenging.”

Psychoanalysis has always been an interest for Alcorn. As an undergraduate, he volleyed from major to major, eventually graduating with a B.A. in psychology because it allowed him to graduate early. Graduating early was imperative because Alcorn was drafted, but he applied for the Peace Corps before his number was drafted and instead of being sent off to be in the military he was sent to India. His experience in the Peace Corps has been a defining experience in his life. “We had a severe drought in my last year and it was a traumatic situation for me to be in,” he said.

When Alcorn returned to the United States, he found himself at a loss for what to do. For a year he worked at a nursery in Oregon and applied to graduate schools. The first program he found combined psychology and world literature, but eventually he transferred to Vanderbilt to get his M.A. in English. From there on out he focused mostly on English, finally getting his PhD at University of Texas at Austin. Psychology was still very prominent in Alcorn’s work, however. Although he admits that as an undergraduate he thought Freud was “insane,” Alcorn later found significance in his work Mourning and Melancholy, leading him to his dissertation. He said, “My dissertation was on narcissism. Narcissism is related to loss and denial.”

Because of Alcorn’s work in psychology, he was introduced to clinicians when he first moved to DC. Thus Alcorn’s dual life in psychoanalysis and English really started. In 1994 he co-founded, with Mark Bracher, The Association for the Psychoanalysis of Culture and Society, which continues to publish the journal Psychoanalysis of Culture and Society. In 2002 he began psychoanalytic training with the Washington Psychoanalytic Institute and graduated in 2006. He describes the journal as one that “explores these issues [psychoanalysis and culture/society]. It represents a community of scholars that publishes a synthesis of these issues.”

Alcorn’s involvement in the field does not stop here. Together with two psychiatrists, Arthur Blank Jr. and Anton Trinidad, as well as Catherine Erskine, a board member and Treasurer of the Washington Center for Psychoanalysis, he is organizing the Washington Trauma Conference. The conference runs from March 4-6 in the Marvin Center. With various speakers including Bruce Perry, Howard Steele, and other famous analysts, the conference intends to explore the effect of trauma on people. Trauma is, “these catastrophic events that have tragic effects on people. It does not matter what your politics are, everyone responds to trauma,” said Alcorn. The conference hopes to look at trauma from a different perspective, focusing on psychological narratives.

Clearly Alcorn is looking forward to the conference. He and a few of his English colleagues will be involved in the actual panels. Jane Shore will talk about trauma and creative writers in a plenary panel and Evelyn Schreiber will talk about her research on trauma in Toni Morrison. For his own panel, Alcorn will “be representing the thinking in humanities departments on trauma.” The conference will potentially produce a book. “We hope to collect some of the essays,” he said. Even if we do not get a chance to read the essays, we look forward to the conference!


November 13th, 2009




One day Thomas Mallon looked out his office window in Rome Hall and had a strange sense of déja vu. “I look out into the apartment of one of my characters,” he said. Mallon’s novel Fellow Travelers was set in 1950s DC, at which point the dorm West End was an apartment where he placed one of his protagonists who worked nearby at the State Department.

This may have been one of Mallon’s eeriest coincidences, but DC had always had a significance for Mallon and his writing. Most of Mallon’s novels are set in DC: Henry and Clara, about the couple who shared the box at Ford’s Theatre with the Lincolns on the night of the assassination, Two Moons, which takes place at the old observatory in Foggy Bottom, and his next book will be on Watergate, an international phenomenon, but also part of Mallon’s backyard. “I live in the historic district of Foggy Bottom. I love the neighborhood. I love Washington. I’ve lived here only for six years, but I’ve spent a lot of time in the city over the past thirty,” he said. “My house was built in 1890, it works on my imagination.”

Even though Mallon is a native New Yorker (where he has an apartment still), he has always felt welcomed by DC. He said, “It’s one of those cities that isn’t too enormous for a writer to wrap his mind around. Almost like Albany for William Kennedy. I’ve always felt at home here.” Mallon finds DC has a hidden literary scene also. “If you got to a party in Washington they assume you’re a political writer. A novelist seems more exotic. Whereas in New York, saying you are a writer is the same as saying you are a waiter who really wants to be an actor,” he said. The city is especially crucial to Mallon’s work as a writer of historical fiction. “Washington is an interesting place for a writer. You have two kinds of history operating at once, national and local history. I take these big national stories and personalize them,” he said.

Mallon had been writing about DC for so long that it was only a matter of time until he moved here permanently. He read an article about the books university presidents like to give to guests and found that former president Stephen Joel Trachtenberg used to give out Mallon’s novel Two Moons. “I wanted to have a perch at a university so I wrote Trachtenberg in 2003,” he said. Since teaching here, Mallon has noticed fundamental differences between his time teaching at Vassar and at GW. He finds his colleagues much friendlier compared to the “fractious” atmosphere of Vassar’s department. He said, “I am always gratified by how nice colleagues are by telling me they’re read something I’ve written or attending a reading of mine.”

GW students also offer a welcome change, “GW students are cheerful, eager, forthright in a very friendly way. They engage you and are adversarial in a friendly way,” he said. Mallon has been teaching a creative classes a year as well as various Deans Seminars. He has previously enjoyed teaching one on Lincoln’s assassination and looks forward to teaching one this spring on diaries.

Mallon’s latest publication, Yours Ever: People and Their Letters, is essentially a companion volume to his previous book on diaries from fifteen years ago. “I kept interrupting the book to write novels. It took a long time to read this material and soak yourself in these letters. It was a very off and on process,” he said. This is Mallon’s seventh nonfiction book, another of which he notes has an obscure theme. He said, “My subjects in literary criticism have been odd subjects like diaries, letters, plagiarism, these odd precincts of literary history.” Mallon admits he is not unbiased in his selections of letters. “I am opinionated in a somewhat arbitrary way. The book is very personal. I don’t feel the need to be comprehensive,” he said. The collection resulted in letters not just of famous writers, but politicians, prisoners, and soldiers from the Middle Ages to current day.

When Mallon is not teaching or writing books, he contributes to the New Yorker, the New York Times Book Review, and the Atlantic Monthly. “I read and write all day long. I’ve done that my whole adult life,” he said. “I cannot imagine doing anything else.” This is no surprise, for one of Mallon’s most vivid memories from childhood was when his mother read him his favorite picture book one evening and he suddenly took over, realizing he could read. He said, “I understood at that moment that I could read. To me, it was as if I’d just been born.”

Mallon feels extremely grateful that he has been able to organize his life around his passions and as he said, “Teaching is an extension of that.”


November 7th, 2009


Someone once told Greg Pardlo, GW’s newest creative writing professor and poet, that academia could ruin his poetry. After Thursday night’s poetry reading however, Pardlo should have no fear that he is losing his talent, if anything, his talent is increasing.

For a man with many awards to his name, Pardlo is incredibly humorous and humble. He made many playful shout outs to the audience from faculty (“You knew that line was coming Faye Moskowitz!”) to students (“And to my homies in the English department, Sasha and Justin.”) This also means that Pardlo is very open in discussing what actually inspires his poetry too.

“Each project has a certain obsession that guides it,” he said. For his book Totem this obsession was the painterly art. “I wished I could be a painter,” he said. “So it was the intersection between painters and poets.” This lead to a reading of his poem on a bar fight with Jackson Pollack called, “Title It Shotgun Wound” to a the story of a tryst between artists, Georgia O’Keefe and writer Jean Toomer, titled “Restoring O’Keefe.”

Pardlo garners his inspiration from many sources, but he emphasized that the typical student excuse “nothing ever happened to me, I grew up in a suburb” does not work. “You have to find something,” he said. “Look, I grew up in the suburbs too, but I had never written about the suburbs. So I tried to find passion and meaning in the suburbs.” This thought process culminated in a poem aptly titled, “Suburban Passional.”

At this point in the reading Pardlo had reached his current poems written during his time as an academic. Those who doubted his ability to meld all texts and contexts into poetry as an academic were instantly proved wrong. He said, “My new poetry is about exploring my life or one’s life in texts. All of you English majors understand that the songs we listen to, the movies we watch, the books we read, are texts.” One of Pardlo’s most distinctive poem explores a common phrase often found in slave narratives, “I was born.” In his poem, “Written By Himself” he catapults off of this theme to epic proportions, eventually landing him in the current issue of The American Poetry Review.

Pardlo is a poetic force to be reckoned with. GW is lucky to have him.


November 5th, 2009


Gayle Wald wants you to know that her office door is always open. As the new department chair after January 1, 2010, Wald hopes to bridge the imaginary gap between faculty and students. “I want to engage the undergraduate majors. To give them a feeling of belonging to something through events and enhanced advising,” she said. “It’s also important that we do what we can to foster a graduate student community.”

Wald only sees herself as building off of an already strong department. “I’m not coming in with an agenda. We’re in a good place right now. The faculty is really strong and the student satisfaction is high,” she said. Yet changing leadership is vital to a department, she said, “It’s good to have new ideas and new leadership.” As the deputy chair for the past three years Wald has been acting almost as a “vice president” as she puts it, mostly working with promotions of faculty.

Now as the new department chair, she sees it as her time to help the people who have helped her all along. “I have been here since 1995,” she said. “This department has been really supportive and I have respect for my colleagues. It’s nice to have the opportunity to give back and be in the position to give opportunities to faculty members.” Wald is aware the job will have its challenges, but she is eager to work with everyone.

One if Wald’s duties will be keeping the faculty happy. “We have an incredibly ambitious research active faculty. So I will try to provide resources for the faculty to pursue that research,” she said. This new administrative position does not mean that Wald will be absent from the classroom. Department chairs typically teach undergraduates every year through the English 40W courses such as Jeffrey Cohen’s Myths of Britain and Wald’s eventual Literature of the Americas course.

Though Wald hopes to see students outside of the classroom, as mentioned above, she intends to increase the interaction between students and the department. Wald believes many students do not realize there is a very welcoming intellectual niche within the department. She said, “One thing that disappoints me is when I see potential English majors who want to transfer. It is often because they do not have the intellectual cohort they need.”

Although she will do her best to curb the intellectual isolation, Wald also emphasizes that students need to be proactive as well. “Students under use professors as resources. They seem to be intimidated and shy, but they do not need a reason to come to office hours,” she said. However professors are not the only resource in a departmental niche. “Students often are the best advisers to other students,” she said. “I advise students to talk to friends they trust.”

Wald herself found an intellectual cohort like the one she describes during graduate school at Princeton. “There was a lot of intellectual energy towards black culture so there was a cohort of graduate students interested in the same things,” she said. This lead Wald to her current research on Black culture studies, a topic she says bridges English and American Studies. Currently she is on sabbatical to research her new book on a significant black television program, “Soul!,” on PBS from 1968-73. “It was a groundbreaking black variety show. It was broadcast at a time when there was few opportunities for black thinkers to appear on TV,” she said. The project naturally developed after she finished her book on Rosetta Tharpe and has been captivating her interests ever since.

Though Wald may not be in the office right now, we look forward to seeing her next semester. And we hope to see you at one of her many department events!



The GW English Blog

The GW English Blog will keep you up-to-date on news, events, and publications from the English Department of the George Washington University.

Categories



Contribute to GW English

Your generosity directly supports the English Department's research, teaching, and public events. Contributions from alumni and friends have enabled us to sponsor workshops for our students, host esteemed lecturers, and hold public readings by creative writers. Faculty have used funds from department supporters to complete books and bring new research into the classroom. Click here to donate, and be sure to specify "English Department."

We want to hear from you!

The English Department is only as strong as its community of faculty, staff, students, and alumni. Whether you are an undeclared freshman, a current English major, a graduate of the department, or simply an interested reader, we would love to hear from you. We're always looking for feedback -- and volunteers. Have an interesting story about the GW English Department? Share it with us. Have a question or suggestion? Don't hesitate to ask. Proud of your accomplishments as an alumni? We'll feature you in a post. Always wanted to work on a blog? Let us know.

Follow us on twitter


    About the College

    The Columbian College of Arts and Sciences is the cornerstone of The George Washington University's academic program, with over 40 departments and programs, from biology to dance, sociology to anthropology, museum studies to forensic sciences.

    Columbian Blogs

    Columbian College Blogs are meant to showcase the people behind the College and their doings.

    Links