Department of English

Latest happenings in the GWU English Department


January 11th, 2010

This new anthology celebrates DC and showcases several GW faculty members. Here is the official press release:

Plan B Press proudly announces the publication of the new anthology Full Moon on K Street: Poems About Washington, DC. Featuring over one hundred contemporary poems, the book captures DC’s unique sense of place, from monuments to parks, from lawyers to bus stations, from go-go music to chili half-smokes.

All poems were written between 1950 and the present, by past and current residents of the city. Edited by Kim Roberts, a former visiting poet at George Washington University and the publisher of the acclaimed online journal Beltway Poetry Quarterly, this anthology captures the city’s many moods: celebratory, angry, and fiercely political.

Contributors include several people currently and formerly associated with GW English, including: David McAleavey, Daniel Gutstein, Christina Daub, and Ramola D.

For more information, see: http://www.planbpress.com


November 13th, 2009




One day Thomas Mallon looked out his office window in Rome Hall and had a strange sense of déja vu. “I look out into the apartment of one of my characters,” he said. Mallon’s novel Fellow Travelers was set in 1950s DC, at which point the dorm West End was an apartment where he placed one of his protagonists who worked nearby at the State Department.

This may have been one of Mallon’s eeriest coincidences, but DC had always had a significance for Mallon and his writing. Most of Mallon’s novels are set in DC: Henry and Clara, about the couple who shared the box at Ford’s Theatre with the Lincolns on the night of the assassination, Two Moons, which takes place at the old observatory in Foggy Bottom, and his next book will be on Watergate, an international phenomenon, but also part of Mallon’s backyard. “I live in the historic district of Foggy Bottom. I love the neighborhood. I love Washington. I’ve lived here only for six years, but I’ve spent a lot of time in the city over the past thirty,” he said. “My house was built in 1890, it works on my imagination.”

Even though Mallon is a native New Yorker (where he has an apartment still), he has always felt welcomed by DC. He said, “It’s one of those cities that isn’t too enormous for a writer to wrap his mind around. Almost like Albany for William Kennedy. I’ve always felt at home here.” Mallon finds DC has a hidden literary scene also. “If you got to a party in Washington they assume you’re a political writer. A novelist seems more exotic. Whereas in New York, saying you are a writer is the same as saying you are a waiter who really wants to be an actor,” he said. The city is especially crucial to Mallon’s work as a writer of historical fiction. “Washington is an interesting place for a writer. You have two kinds of history operating at once, national and local history. I take these big national stories and personalize them,” he said.

Mallon had been writing about DC for so long that it was only a matter of time until he moved here permanently. He read an article about the books university presidents like to give to guests and found that former president Stephen Joel Trachtenberg used to give out Mallon’s novel Two Moons. “I wanted to have a perch at a university so I wrote Trachtenberg in 2003,” he said. Since teaching here, Mallon has noticed fundamental differences between his time teaching at Vassar and at GW. He finds his colleagues much friendlier compared to the “fractious” atmosphere of Vassar’s department. He said, “I am always gratified by how nice colleagues are by telling me they’re read something I’ve written or attending a reading of mine.”

GW students also offer a welcome change, “GW students are cheerful, eager, forthright in a very friendly way. They engage you and are adversarial in a friendly way,” he said. Mallon has been teaching a creative classes a year as well as various Deans Seminars. He has previously enjoyed teaching one on Lincoln’s assassination and looks forward to teaching one this spring on diaries.

Mallon’s latest publication, Yours Ever: People and Their Letters, is essentially a companion volume to his previous book on diaries from fifteen years ago. “I kept interrupting the book to write novels. It took a long time to read this material and soak yourself in these letters. It was a very off and on process,” he said. This is Mallon’s seventh nonfiction book, another of which he notes has an obscure theme. He said, “My subjects in literary criticism have been odd subjects like diaries, letters, plagiarism, these odd precincts of literary history.” Mallon admits he is not unbiased in his selections of letters. “I am opinionated in a somewhat arbitrary way. The book is very personal. I don’t feel the need to be comprehensive,” he said. The collection resulted in letters not just of famous writers, but politicians, prisoners, and soldiers from the Middle Ages to current day.

When Mallon is not teaching or writing books, he contributes to the New Yorker, the New York Times Book Review, and the Atlantic Monthly. “I read and write all day long. I’ve done that my whole adult life,” he said. “I cannot imagine doing anything else.” This is no surprise, for one of Mallon’s most vivid memories from childhood was when his mother read him his favorite picture book one evening and he suddenly took over, realizing he could read. He said, “I understood at that moment that I could read. To me, it was as if I’d just been born.”

Mallon feels extremely grateful that he has been able to organize his life around his passions and as he said, “Teaching is an extension of that.”


November 12th, 2009


The room was packed. Latecomers were forced to stand in the back of the room next to the champagne and chocolate dipped strawberries. To many GW students Thursday is the start of the weekend, but the GW English Department was celebrating for a different reason, the launch of Wang Visiting Professor José Muñoz’s latest book, Cruising Utopia: The Then and There of Queer Futurity.

The book is a new critical feat in the realm of Queer and Performance studies, so naturally something of such significance deserved a noble introduction. Gayle Wald, who has known Muñoz for over fifteen years, did the honor, “A good theory book inspires our own work,” she said.

Muñoz was impressed with the introduction, joking he had nothing more to say. He continued to say that his time at GW had been better than he could have hoped. He said, “This semester has been rejuvenating. The general collegiality has been completely engaging. I have one more month here and I hope to benefit from that collegiality.”

Muñoz went on to describe the book as a, “a polemic against dominant strand in queer critique.” He turned to material that had been “haunting” him since graduate school, primarily the work of German Idealism in relation to Queer Theory and politics. This eventually led him to the idea of utopia, but Muñoz is careful to emphasize the book is not about optimism. “I really do not believe in optimism,” he said. “How do you have hope without optimism? Hope is a mode of insisting on ontological state.”

The book itself focuses on “wacky” interests such as Warhol’s factory, Stonewall of the 1950s, and The New York School of Poetry. “In the tradition of utopias, I am writing about oddballs and maniacs,” Muñoz said.

Muñoz read from the introduction first. “Queerness is performative . Not a being, but a being for here and the future,” he read. Next he jumped to the conclusion in between which, “All this stuff happens,” Muñoz said jokingly. The conclusion of the book, “Take Ecstasy With Me” is named after a Magnetic Fields song. Muñoz writes about the timeliness of Queer Theory. He read, “Queerness is not yet here. Thus we must always be future bound in our designs and desires.” He encourages the reader to “look beyond the here and now” to something “fuller, vaster, more sensual, and brighter.” Muñoz touched on this idea again during the Q&A period. “The argument is for the then and there as opposed to the here and now,” he said.

Muñoz finished to a room full of applause. Champagne corks ready to be popped for one of the most influential scholars right now.

Muñoz’s book will be published by NYU Press on November 30, 2009.


September 7th, 2009

For most graduate students, getting a PhD will be their greatest recent accomplishment. However when Tariq Al-Hayder came to study at GW he was not only a teacher, but a published novelist as well.

Originally hailing from Saudi Arabia, Al-Hayder taught English at King Saud University in Riyadh for a year. Whether in the classroom or not, he has been very much aware of longstanding racial prejudices within his society thus propelling him to write his first novel, Helat Al-Abeed (Slave District).

The novel focuses on a friendship between two men, a young Saudi and a man of mixed race. This complex relationship allows Al-Hayder to discuss racial troubles often not marked in Saudi society.

“In the novel, I equate a certain type of tribalism with your more run-of-the-mill racism. But because a lot of Saudis are so immersed in it, they don’t see it,” said Al Hayder.

The novel was presented at the Riyadh International Book Fair in Saudi Arabia and sold out in only six days. Al-Hayder is completely surprised at the success of the novel. “I had no expectations as to how successful (or not) it was going to be. I just wanted to be done with the thing, to be honest!” he said.

Regardless of the surprising success, Al-Hayder has always wanted to be a writer. He attributes his love of fiction to his early reading of Judy Blume books. Going on further to say, “It’s always been a goal of mine to write a novel. Of course, I always assumed it would end up in a shoebox under my bed.”

Fortunately the novel is now in the hands of hundreds, not under a bed back in Saudi Arabia. And just like Al-Hayder’s book has gone along way from its origins Al-Hayder is now halfway across the world too. But to him the move to GW only seems fitting, “I felt that I would find an ideal environment for exploring the concepts of identity, race, the tribe and all the myths that are connected to those ideas,” he said.

The real question though is will Al-Hayder ever write another novel? “God-willing,” he replied.


April 16th, 2009

If you were paying close attention during Michael Chabon’s public reading last month, you would have caught a reference to Edgar Rice Burroughs’ novel The Gods of Mars in the second story he read, “First First Father.” In the story, Chabon compared his experience to the unknowability of a nine color spectrum, which is experienced by the natives of Mars but cannot be visualized by humans. Chabon also commented on his experience with book-to-film adaptations.

If you remember this, then it may not surprise you to learn the following: Chabon is now working on a script for John Carter of Mars, a Disney-produced adaptation of Burroughs’ Martian series of novels.

A Chabon fansite has confirmed the news. Said Chabon, “I’ve been hired to do some revisions to an already strong script by Andrew Stanton and Mark Andrews. I wrote my original screenplay The Martian Agent back in 1995 because I wished I could do Burroughs’s Barsoom. So this is pretty much a dream come true for me.”

The film is being helmed by Andrew Stanton, the writer and director of PIXAR’s Finding Nemo and WALL-E. I’m glad to see a classic of science fiction being developed by the able minds of Chabon and Stanton.

Side Note: During his GW interview, Chabon expressed trepidation towards adaptations of his own work, but was open to the idea of adapting others’. His first novel, The Mysteries of Pittsburgh, recently enjoyed a limited release in the United States but has not been favorably reviewed. Chabon did not adapt the screenplay himself. According to Metacritic, the films averaged a score of 38 / 100 (generally negative) from major media outlets. Rotten Tomatoes is less kind with an average of 10% fresh, and users of IMDb are more enthusiastic with a 5.1 / 10. Roger Ebert gave the film two out of four stars.


January 29th, 2009


At approximately 6:00 PM today, Edward P. Jones finished his inaugural reading as the first Wang Visiting Professor of Contemporary Literature. Now, I am finally able to reveal the truth behind the selection of Mr. Jones as the first Wang Visiting Professor.

There exists a clause in the bylaws of the Columbian College of Arts & Sciences that the selection of any new faculty member, visiting or otherwise, must be slow and difficult. I can testify that such was the case for the selection of Edward P. Jones. Faculty deliberated in the English Department war room. The superiority of Strunk over White was debated. The aggregate weight (kg) of Nobel laureates was compared to that of Pulitzer winners. Much shaking of fists, wringing of hands, and pointing of fingers occurred. Other less appropriate hand gestures were witnessed. In a moment of inspired malice, candidates for the professorship were eliminated based on their use of the Oxford comma. To decide between the final candidates, a Google Book Search was conducted. Edward P. Jones emerged victorious.

The real reason why the English Department selected Edward P. Jones as the spring 2009 Wang Visiting Professor in Contemporary English Literature:

On the day they saw Hope and the mule in the rain, that child, Wilson, had been a year and some months in Washington, DC, at the medical school of George Washington University. Wilson had learned a great deal at that university, and his mind would have contained even more but well into his second year the cadavers began to talk to Wilson, and what they said made far more sense than what his professors were saying. The professors, being gods, did not like to share their heaven with anyone, dead or alive, and they sent the young man home in the middle of his second year. – The Known World, Page 343

For the record, the medical school was put on probation for having an excess of loquacious cadavers, not because it has too many self-righteous professors. Every university has too many of those.


October 1st, 2008

Hi, again. It’s me, Kirk.

Did you hear about this?! [Washington Post]
A grenade was found in Rock Creek Park this morning & removed by the army.
Hooray! Efficiency!

Like the Rock Creek’s maintenance worker, Gayle Wald[saw] something, [said] something: she linked us to this post on Will Ostrem’s blog, Northern Light. The post highlights some lines from Auden’s “Here on the cropped grass” which do that strange thing all good writing does: resound within and around an ever-widening ambit of pertinence.
I won’t post the lines themselves or conjecture much more regarding them because Will Ostrem already has it covered, so read his post!

HIs post reminds me of Rod Smith’s last poem in the last section [Homage to Homage to Robert Creeley] of his most recent book, Deed. Rod manages Bridge Street Books, a really great bookstore. It’s the closest bookstore to campus!!
Here’s the poem:

pour le CGT
We work too hard.
We’re too tired
To fall in love.
Therefore we must
Overthrow the government.

Have a good day!

top image from http://www.stanford.edu/~njenkins/cgi-bin/auden/


September 10th, 2008

GW’s inaugural British Council Writer in Residence Nadeem Aslam’s newest novel, The Wasted Vigil has just been released. Mr. Aslam read from the novel at the numerous events that the English department hosted to celebrate his residency, and I, like many of those I talked to, was greatly impressed by his reading of the first chapter. The novel follows the lives of six individuals, brought together in a house in rural Afghanistan. The novel confronts the legacy of the Taliban and the complicated landscape of the post-9/11 world. The Times published a particularly glowing review of the novel:

Nadeem Aslam is a master of words and arresting images. The house has books nailed to every ceiling to save them from the Taleban (“a spike driven through the pages of history, a spike through the pages of love, a spike through the sacred”). In the garden is a disused perfume factory, and in its basement a toppled Buddha lies embedded in the wall. Alexander the Great rode here, on a unicorn, through the orchards of antiquity. This has been a place of beauty since the dawn of time. The sheer, astonishing loveliness of this novel’s language fills the reader with hope that the transformative power of beauty can, somehow, still save the day.

I for one, can’t wait to read the novel.


September 7th, 2008


The most recent Pulitzer Prize winner for fiction, Junot Diaz, is reading from his novel The Brief Wondrous Life of Oscar Wao this Wednesday (September 10th) at Politics and Prose at 7 PM (though it’s advisable to be early). This is a great opportunity to meet one of the most celebrated young authors in the country and I hope to see other English undergraduates there!


September 3rd, 2008

Hello everybody, my name is Rajiv Menon and I am the English department’s new communications liaison. I am a junior, majoring in English and International Affairs. In addition to working with the English department, I also intern at the Smithsonian Asian Pacific American Program and tutor at GW’s writing center. Also, in addition to writing for this blog, I also contribute to the blog Hadji is Dead, which covers various aspects of South Asian American politics and culture. Throughout the semester, I’ll be posting about various aspects of English undergraduate life on this blog and I hope to hear from GW’s English undergraduates about your experiences and interests.

Since it is the first week of school and summer is still fresh in our memories, I felt it would be appropriate to share the books I enjoyed this summer. Based on my summer reading, there are a bunch of books I’d like to whole-heartedly recommend:
1. Evening is the Whole Day by Preeta Samarasan
2. Blindness by Jose Saramago
3. The Remains of the Day by Kazuo Ishiguro
4. Never Let me Go by Kazuo Ishiguro
5. The White Tiger by Aravind Adiga
6. The House of Blue Mangoes by David Davidar
7. The Enchantress of Florence by Salman Rushdie
8. Everybody Was Kung Fu Fighting by Vijay Prashad

I look forward to working with the department and keep checking the blog for updates!



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